New York Classical Review14 小时
Momenta Quartet opens Ives festival with illuminating looks back and forward
The Momenta Quartet’s annual Momenta Festival, now in its ninth year, is always a highlight of the classical music season.
New York Classical Review1 天
A rare mixed night for Trifonov at Carnegie Hall
There’s a fascinating mystery around every concert, one that accumulates myriad speculation but no answers. Just what ...
New York Classical Review1 天
Philharmonic celebrates black composers in lively, varied “Afromodernism” program
The Philharmonic may have only one black member—principal clarinetist Anthony McGill—yet the musicians responded with energy ...
New York Classical Review3 天
Music, poetry and Spanish history in graceful motion in Met’s “Ainadamar”
Lorca, who was a classical pianist, was captivated by cante jondo, or “deep song, the original manifestation of flamenco, ...
New York Classical Review9 天
Despite distractions, Tepfer and Trio Fadolin find the Feldman groove
The New York Studio School, an important training center for drawing, painting, and sculpting, is marking its 60th ...
New York Classical Review13 天
Violinist Avsharian’s unique concert mixes music with brainwave education
Shostakovich and light, entertaining music are not generally synonymous, but the Soviet composer wrote film music to pay the ...
New York Classical Review8 天
Love is all around Philharmonic, from Pintscher to Mendelssohn to Schoenberg
The overarching theme of Thursday’s intriguing program of the New York Philharmonic, conducted by Matthias Pintscher, was ...
New York Classical Review14 天
Ólafsson’s spellbinding Brahms highlights Honeck’s Philharmonic program
This week’s New York Philharmonic program is built on classics—Beethoven’s Symphony No. 7 and Brahms’ Piano Concerto No.
New York Classical Review25 天
Tesori’s “Grounded” scores a dark triumph in Met season opener
Emily D’Angelo stars as Jess in Jeanine Tesori’s Grounded at the Metropolitan Opera. Photo: Ken Howard / Met Opera “If Odysseus came home every day,” sings fighter pilot Jess to her husband in Jeanine ...
New York Classical Review20 天
Met’s “Tales of Hoffmann” offers dark Romanticism and a feast of female voices
Benjamin Bernheim with admirers in the title role of Offenbach’s Les Contes d’Hoffmann at the Metropolitan Opera. Photo: Karen Almond / Met Opera E.T.A. Hoffmann, spinner of bizarre tales in the early ...